During a facebook conversation Henrik Robeck asked if I could do a comparison between Minolta 28mm 1:3.5 lenses, specifically the two latest optical designs. However, I was curious enough to see the differences myself, so I decided to do a comparison between all the different 3.5/28 designs in the Minolta SR-mount line-up. Continue reading “Minolta 28mm 1:3.5 lenses – a comparison”
Featured: Minolta MD W.Rokkor 28mm 1:2.8
Today I’d like to present a lens that is still very common and can be had for little money. Continue reading “Featured: Minolta MD W.Rokkor 28mm 1:2.8”
Featured: Minolta MD W.Rokkor 17mm 1:4
Olympus OM Zuiko 28mm 1:2.8
Novoflex Noflexar 35mm 1:3.5
A quirky little macro lens it is, this Novoflex Noflexar 35mm 1:3.5.
What 28mm lens for street photography?
It doesn’t come easy, doing street photography with a 28mm manual-focus lens, but I’m trying hard because I like the results when I get it right.
The ultimate 40mm lens for street photography?
I wondered enough to finally get one, hoping to find the ultimate 40mm lens for street photography: the Minolta M-Rokkor 40mm 1:2 is a very light lens with a relatively long focus travel and a tab to further support easy focussing. And because it is in Leica M-mount it means that the register distance is short, so the total length of adapter + lens on the Sony A7R2 is also really small.
Continue reading “The ultimate 40mm lens for street photography?”
Hi!
Welcome to my blog!
Browse through the posts here or go to my other stuff, see the links at the right.
28mm street photography
Picked up where I left off some time ago, did other photography in the meantime. I want a bolder style now, meaning more wide-angle than I did before. I took my old Olympus OM Zuiko 3.5/28 which meant manual-focus and it took me some experimenting to get (reasonably) sharp pictures from it. Today I got a picture that pleases me.
The advantage of a wider lens is that people often think they’re not in the frame. So this example is atypical because both girls spotted the photographer, being in the center of the uncropped frame.
American stuff
These lenses came from people who had a home in Curaçao besides their Dutch home; the equipment probably was bought in Curaçao, but the seller couldn’t confirm that. Anyway, the total set was imported in America, as both lenses and the accompanying SR-T 200 camera bore American type designations; I don’t think Celtic lenses were sold in Europe, except maybe in the UK.
