It doesn’t come easy, doing street photography with a 28mm lens, but I’m trying hard because I like the results when I get it right.
I wondered enough to finally get one, hoping to find the ultimate 40mm lens for street photography: the Minolta M-Rokkor 40mm 1:2 is a very light lens with a relatively long focus travel and a tab to further support easy focussing. And because it is in Leica M-mount it means that the register distance is short, so the total length of adapter + lens on the Sony A7R2 is also really small.
Can’t remember where I picked it up, but Mason Resnick’s tale is a great read. It made me understand Garry Winogrand’s photography a little bit better, although I still have the feeling that I don’t really appreciate it yet as much as it deserves.
These I’m not sure about, but I like them enough to show them here.
Picked up where I left off some time ago, did other photography in the meantime. I want a bolder style now, meaning more wide-angle than I did before. I took my old Olympus OM Zuiko 3.5/28 which meant manual-focus and it took me some experimenting to get (reasonably) sharp pictures from it. Today I got a picture that pleases me.
I just had my bike parked in the underground parking and, as usual, had prepared my camera for the shoot of that day. And then I had to wait for this lady to finish loading her bike. Click.
Last week a member of the photoclub cited from a book and that was interesting enough to have me buy it. And it provided some insights; one of them was that an underlying theme often makes itself clear during photographing. Thus I noticed I often make pictures of people involved in or related to work.
In a video of his Chuck Jines suggested to look for scenes instead of people and that’s exactly what I did here. The shadows of the trees on the white wall drew my attention and I’ve stood here for over half an hour waiting for things to happen.
These dark winter days are the time to do evening shots. They pose their own problems: people’s faces are often badly illuminated, if at all, and tend to drown in bright shop windows etcetera. It often calls for more post-processing and color balance hardly ever is ideal. Nevertheless I think these work best in color. The square where these photos were made, is an interesting place: it’s part of the city center’s shopping area, but also serves as a pathway for pedestrians and bikers between the railway station and an area with a lot of offices, so this makes for a mix of activities.